DMB WELCOMES EUDES 

 

Describe your relationship with photography with three words?

Love, obsession and commitment.

Name a place in the world that inspires you and your work and why? 

Berlin, to live in a city that is considered very grey and to have such a colourful portfolio can sound contradictory, but maybe this contrast is the core of my inspiration. 

When shooting a campaign or lookbook what is your focus?

It varies according to each briefing and concept, but i usually try to focus on the environment, if everyone on set is chill then we feel free and comfortable to be creative together. 

How has your experience as a photographer evolved over the years?

To meet so many people who come from vast amounts of different backgrounds. As the more i meet and listen to new people, we exchange ideas which allows me to develop as a photographer. 

What has been one of your favourite shoots to date and why?

When i had a commission in South Africa. It was my first time in Africa and the nature amazed me, and has inspired me a lot.

Numero

Nadia Lee Cohen shoots new ‘American Crime Story’  self portrait story for the cover of Numero’s ‘Amerika'

Victoria Park Vixens

Lauren Maccabee shoots the Victoria Park Vixens for GAFFER Magazine and Nike London

Nike Ramadan

Alex de Mora shoots new Nike Campaign for Ramadan

Facing New York

A look back at DMB Photographer Bruce Gilden's project 'Facing New York'

Happy 4th July

Happy 4th July!

Notion

Lauren Maccabee shoots sisters Aimee Lou Wood from Netflix's Sex Education and Emily Wood for Notion

Esquire

Christoffer Rudquist shoots 'The Capital of Tomorrow: How Tokyo Is Upping Its Game' editorial in Tokyo for Esquire

Bloomberg Business

Neil Woodford shot by Finn Taylor for Bloomberg Businessweek

Nike

Lauren Maccabee shoots the England team for Nike Women’s World Cup campaign

Cannes Golden Lion Winner

DMB are proud to announce Nadia Lee Cohen's campaign Billie Jean King Your Shoes for Adidas has won a Cannes Golden Lion award last night! Produced by DMB and directed and photographed by Nadia Lee Cohen

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