‘I believe that you may have just endorsed exactly the response that I try to engender,’ she observes gently. ‘I mean, in that I instigate the narrative and the viewer completes it. For example, who’s to say that it isn’t a female bear? and that if it is a female bear that she couldn’t be equally capable of being unpredictable and ferocious?’

‘At first glance,’ she says, ‘I can see how my work may be — is — reminiscent of a time characterised by male objectification of women. But to me the ‘looks’ of those eras are aesthetically pleasing, so why shouldn’t I be able to reference them and use them in my sets and styling and models? Also, the way I photograph the women turns the quaint, outdated associations on their heads. The women are front and centre, they’re unique and idiosyncratic, they’re their own people and the frame of my picture is theirs. They are not one bit passive.’

‘Well, obviously I want my images to be aesthetically pleasing, and there is nothing quite as pleasing as the female form in all its glorious shapes and sizes. And why shouldn’t we be able to strip outdated historical mores of their associations and still have access to their aesthetic appeal?’

‘I just get bored with anything typically pretty, and I enjoy the melancholic, both in art and cinema. The models act out a part in the photograph rather than just standing there looking pretty. When choosing my models, the most important feature for me is that they have characterful, expressive faces to embody the part I have previously imagined or explained. The resulting image hopefully evokes a sense of uncertainty in the viewer and encourages them to linger a little longer.’

The Keenest Blade Part 2

2/3 short stories from Japan for this issue of Esquire Big Black Book shot by Christoffer Rudquist S/S2017

Nadia Lee Cohen's "The Pageant"

A first hand insight into her recent work for Hunger Magazine, Issue 12. 

The Keenest Blade

1/3 short stories from Japan for this issue of Esquire Big Black Book shot by Christoffer Rudquist S/S2017 

DMB interview Stylist Nayaab Tania

A GUIDE TO INDULGENCE in her own words - NADIA LEE COHEN

Nadia Lee Cohen gives us another insight to her personal project a Guide To Indulgence sharing her intentions behind the film. 

An Interview with Noose & Monkey

We caught up with Noose & Monkey to discuss everything from industry tips, to inspirations and what it is like to work within industry of tailoring. - Imagery shot by Haris Nukem 

Snow in Kyoto

 Christoffer Rudquist gives us a tranquil gaze of snow falling in Kyoto - Japan. 

Augmentation of Sight Sacralization Exhibition - Simon Roberts

Simon Roberts uses augmented reality within his exhibition to pull the viewer into the landscape and emphasise fleeting moments, where the essence of the individual location can be exposed to the viewer. 

 

 

A Guide to Indulgence - Nadia Lee Cohen

A personal film by Nadia Lee Cohen that creates a satirical world where female inhabitants push their appearances into cartoonish extremes. Nadia uses music and subtle word play to portray extreme representations of femininity.

TOP Tips on sports photography with Finn Taylor

We caught up with photographer Finn Taylor to get some first hand industry top tips on sports photography. 

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